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birthname

persephone

aliases

kore, cora, krystal, jung soojung

position

goddess of spring, innocence, vegetation.
queen of the underworld.

symbols

torch, asphodel, wheat

parentage

zeus: presiding deity, ruler of the skies & earth
demeter: goddess of corn, grain, & the harvest

relationship status

abusive marriage

spouse

hades: god of the underworld

ual orientation

heteroromantic, biual.

mortal age

appears early twenties; 21 if someone were to ask

mortal occupation

occasional model
seasonal florist (owner of a beautiful shop specializing in wedding arrangements due to the extravagance of the flowers she grows)

activity

on earth for half the year in the spring and summer months; spends most of her time in the underworld due to the imprisonment of pomegranate seeds.

writing style

descriptive, narrative.
focuses on character's inner thoughts over actions and dialogue.

pov preference

detailed first and third. heavily prefer third.

disclaimer

generally busy with school, work, and dance.
don't expect speedy replies, though i do tend to think i reply quickly. no poking whatsoever.

writing samples

click on the link provided here

❝ ...a chasm opened in the earth and out of it coal-black horses sprang, drawing a chariot and driven by one who had a look of dark splendor, majestic and beautiful and terrible. He caught her to him and held her close. The next moment she was being borne away from the radiance of earth in springtime to the world of the dead by the king who rules it. ❞ – Edith Hamilton

The young girl had been ripped from the innocence which she was known for, her beauty locked behind a three-headed monster and the large doors of corrupted wealth. Bright, curious and frightened blue orbs took in the sight of terror than what she experienced in the few years of her life, an experience altering her guiltless mind too fast, too quick. She had been forced to lay with the devil himself, enduring a night of tears and pleads of help, but alas, the king who governed the skies refused to hear his own daughter’s broken whisper. For days and months on end did she think of her mother, the last face she ever did see, for she could not bid her a mere goodbye. And after hundreds of nights had darkness begun to shroud her light-filled heart, to introduce a new reality she once could not understand.

A girl who once resembled purity in the first bloom of spring, with a vision of the familiar sparkling meadow of daffodils and asphodel, had now been tainted by a man she did not love. And in her absence the earth became barren, holding no crops for the mortals to gather, no food for the children to eat. Because at that time, her mother mourned, and she did too, for they could not bear their separation.

A selfish agenda unbeknownst to the beautiful girl at once allowed her to return to the arms of her sweet mother, an angelic smile gracing her sweet countenance. But this happiness came with a price known only by the gods: in her time away from solid ground, the girl refused to eat until her body became frail from starvation, the seeds of a pomegranate promising her stay in the Kingdom of Hell.

And so for half a year she is imprisoned like a slave, tending to the needs of the dark lord while her ever-longing heart wishes to be reunited with the woman she holds dear.

personality An introverted temperament brings forth the impression for a lack of desire to converse and socialize with those she meets; the statue-like, stoic countenance that falls upon such pretty features would cause the woman to be mistaken as a . An absence of constantly shifting expressions to reflect inner emotions are often misunderstood as disinterest, or — for lack of better term — boredom. But in many cases that is untrue, the witty and sarcastic remarks elicited past pretty and dainty lips proving that she's much more than an innocent damsel in distress. Her awareness is rather diffuse, her attention to detail in multiple things at once serves as an agent to her naturally empathetic persona. The girl looks after others and pays special attention to those she holds dear, while remaining apathetic towards those she isn't quite familiar with. THose who cross her, however, are sentenced to a period of silence that may last for a lifetime, a dark hatred fueled by her experience of abduction and unexplained imprisonment.

Likes music. cerberus. helios' company. flowers. spring. making others happy. working out. making fun of apollo.

Dislikes hades not telling her where he went. hades kidnapping her. not being with her mother. apollo ing about something stupid. 

Hobbies playing with cerberus, picking flowers, making flower arrangements, cooking much more food than can be consumed, yelling at hades for not telling her where he went. picking on apollo.

Secrets might have a strong affinity for someone else.

Fears being left alone. Kidnapped. used. being lied to. the death of those she cares for. apollo not being around for her to make fun of.

The Quirks a little bit of the things she does.
— bites her lower lip only when she's nervous.
— touches her hair constantly.
— raises a brow at almost everything; might be mistaken as a judgemental act.
— she's thousands of years old yet she continues to buy stuffed animals for herself.
— works out almost everyday. check out her abs.

over name.

date: here.

status: here.

❝ Be to her, Persephone,
All the things I might not be;
Take her head upon your knee.
She that was so proud and wild,
Flippant, arrogant and free,
She that had no need of me,
Is a little lonely child.
Lost in Hell, -Persephone,
Take her head upon your knee;
Say to her, “My dear, my dear,
It is not so dreadful here”. ❞
― Edna St. Vincent Millay

Broken and void of the capability to trust. My dear, my dear – will you be able to open my heart up and introduce me to your beautiful interpretation of romance? Or will you tear it apart with force like he did with his fiery grasp and keep it within the chains of his hellish kingdom?

ONE. Plotting with me is an absolute must. It does not have to be thorough, but I do require a backbone for any of my threads. Do not come up to me asking if we could wing, because I will flat out ignore you.

TWO. If you do want to plot, do not post on my wall under any circumstances. Everything must be done in pm’s and/or plotting room. I do not want to see any brackets on my wall.

THREE. I do first and third detailed. I heavily prefer the latter; I find it awkward to do first, but it’s bearable.

FOUR. Do not give me anything under five lines, especially when we’re roleplaying seriously. Please make an effort with the length, especially when it’s highly likely that I will produce something over five lines. That said, please don’t feel like you have to mirror me.

FIVE. I can work with any genre except for comedy. I can barely even crack a joke, so good luck with that. On the other hand, I adore angst and drama. Fluff is cute too.

SIX. I do not do the “you ask, you start” bull. That’s not how it works. Whoever initiates conversation or who sees who first — whatever – should start. But again, it’s up to the role player. If you genuinely want me to start, just ask. I’ll let you know if I don’t want to/can’t.

SEVEN. I’m a very very busy person. Oftentimes you will see me in the chat, and that is because I do not have time to properly roleplay. Either that or I lack muse. I have school, work, and dance so more often than not will I be drained from a long day. So if I don’t reply right away, please don’t think I’m ignoring you.

EIGHT. Never poke or send a reminder of our thread. I know who I need to reply to. If I don’t respond for a couple of days, that means I have temporarily lost muse. I like to think that I’d rather give quality replies rather than something I would consider half-assed, so please let me take my sweet time.

NINE. I don’t drop plots very often, but if I do that’s due to lack of muse. I try not to abandon a plot, but if I sincerely can’t reply, I’ll let you know.

TEN. I really do hope you read these guidelines. I don’t bite; I’m just strict and picky when it comes to roleplaying.

title.

genre, rating, status, etc.

under co.

title.

genre, rating, status, etc.

under co.