Personal Message

Description
class
cheonmin
occupation
gisaeng at hbm
d.o.b
march 20, 1845
height
179cm
ual orientation
 panual
romantic orientation
demiromantic
trivia
information here
 
tracker
now playing
nasty - tinashe
 
The difference between those who sink and those who swim, is the willingness to take whatever they need by any means necessary. 
bang junha.
bang junha.
bang junha.
 
statistics
 
 
 
 
 
 
 
muse
 
 
 
 
 
 
 
activity
 
 
 
 
 
 
 
speed
 
 
 
 
 
 
 
mood
memories
You're a pretty thief, not a petty thief ^_^
 

❃ na garam1:46:45 AMReply
#WTS JUNHA VCARD RARE 1ST PRINT

✿ ryu yeonhwa2:26:23 AMReply
i see how duke ryu could be perfect

✿ ryu yeonhwa2:26:17 AMReply
the thing is

❀ yang seoyul 1 minute ago Reply

W6uOtGF.png
come home junha :<

and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness.

history
onE :  SUMMER NIGHT
Little remains of the village Junha was born in. He was born March 20, 1845, to a merchant and his wife and he had no siblings. His early life was peaceful like many children's. He was learning to read and write, would play until the sun came down, and dream of heroes he learned about in myth. Then on one summer night in 1850, his village was slaughtered and everything of value was stolen, buildings were burned to the ground. He last remembers his mother hiding him in a crate, telling him to remain quiet. Once the sun had risen the next day, his parents bodies were burnt to ashes. For days, the young boy wandered, screaming and crying for help, but no one found him. Until a woman dressed in black and gray found him passed out on the side of a road.
tWO : BLACK CATS
When the boy awoke, he found himself in a small house in Mokju. The other residents of the house were fellow orphans, all older than him. They were being raised by a single older woman, a former madam who only asked to be called Mother. Mother was training all the orphans in the arts; painting, playing instruments, singing, and dancing. The young boy was scared at first, he had nightmares of the night he lost his family, of the days and nights he had spent looking for help. As he woke up with tears running down his face, it was Mother that wiped his cheeks and reassured him that he was safe - that he had a new family. The boy was given a new name, Bang Junha. 

He absorbed the teachngs like a sponge. Mother Bang saw in the young boy a natural gift of movement and she encouraged him to move however his body urged him to. Under her teachings, his dances embodied a painful beauty that was apparent in life. The darkness of hurt mixed with the fire of passion, his movements somehow both free and very isolated. If he wasn't dancing, he spent his time learning to draw and paint. It helped him escape the pain of his former life and forge a path ahead with his new one. 
tHREE : A LYNX
As Junha became an adult, he began to roam from town to town, doing street performances, stealing money, lying - whatever he had to do in order to keep going. He viewed each experience as a new opportunity to expand his knowledge and skills, but also savored in the personal justice of stealing from the wealthy. They wouldn't miss a few coins, a few pieces of jewelry, a valuable antique. During his travels, he adopted the performer title of Lynx. After spending his early 20s roaming the country, he finally settled in Hanseong. 
persona
Aesthetic
Bleach blonde golden hair, between the shoulders and often half tied up with ribbon. A soft hint of rouge to his soft and full lips. Black kimonos he stole from a Japanese visitor. Black eyeliner to accentuate his foxlike eyes. Lithe and lean. Self pierced ears commonly accessorized with earrings. 
likes
Performing, mixing his own paints and dyes, fine black clothing, his family, hanbamman.
Dislikes
Yangban clans, handsy clients, cheapskates, bleeding hearts, fire. 
Habits
Pacing back and forth while lost in thought, staring into fires, double checking his appearance, sitting around his siblings without saying anything. 
fears
Dying without having gained what he wants, being alone, retaliation from those he's crossed. 
personality
hot and cold, two faced, emotionally distant, loyal, cunning, street smart, envious, greedy, vain.
connections
name here.
relationship
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
name here.
relationship
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
name here.
relationship
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
scenarios
title
genres & requirements
AVAILABILITY
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
title
genres & requirements
AVAILABILITY
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
title
genres & requirements
AVAILABILITY
 
But I must explain to you how all this mistaken idea of reprobating pleasure and extolling pain arose.
out of character
part one : introduction
You can call me Rei, Moto, Mami, Motormother, or just by my character's name. I'm in my mid 20s. threads are a-ok with me; plotted and unplotted. Long as we keep them in appropriate spaces (DMs, mature rooms where it's allowed), is fine with me! Also long term romantic/endgame connections aren't required to write a mature thread with Junha.  My timezone is GMT -4 (EST in the US) and I work a full time job with an inconsistent schedule, often consisting of nights and weekends. Because of that, my replies may be sporadic and sometimes, I do lose muse. As for reminders, do feel free to remind me if I haven't replied after 2 weeks!
part two : preferences
I will generally tend to mirror the writing of whoever my partner is. So if you prefer semi-para, I'll do my best to match that. If you prefer full paragraphs/novella, I can mirror that too. I'm more than okay with more detailed plots, with more spur of the moment meetings, and love deep long term connections. Just DM me if you're interested in any of my connections + plots, or if you want to pitch one! Given the roleplay's format, I would generally prefer to write in rooms. However, if we have a plot that veers into (or is from the get go) and you aren't comfortable with in a rated room, we can make a group pm. Nothing on walls.
part three : boundaries
Only genre I do not enjoy writing is anything involving actual fighting (other forms of physical violence are okay, with something agreed upon beforehand). Always plot out angst, drama, or things with potential triggers just in case I'm not in the right headspace for it.
part four : do not do!
Assuming rei = the character. Being petty or shady. Multiple reminders about replying within a short span of time. Doing something ed up midplot without talking to me first. I can, and will, straight up avoid interacting with you if you do these things. Do not mistake my kindness and easygoingness for being a doormat! If there's any concerns, I prefer trying to talk one on one to work things out so that both parties can come to an understanding. I don't bite! I'm human, you're human.