as a roleplayer, i like to think of myself as open to ideas but there are some things that i'll try to weasle my way out of if you leave an opening for me.such as; roleplaying without a plot. i hate hate hate it and i don't care if i asked first if you tell me we're not doing a plot either you're starting or we're not playing; roleplaying first time meetings. to me they're boring and often lead to dead ends, i mean seriously, how often do you develop relationships with the stranger that spilled their coffee on you in the park? i will not roleplay a girl, unless you have a really good plot and ask nicely
i'm inexperienced with , and yuri. that doesn't mean i wouldn't like to try it, just that you'll have to be patient with me and take me under your wing. i roleplay both fluff and angst but if you go to extremes or overused/boring plots i'll troll you at every corner. what's that? your character is a fifteen year old orphaned gang leader? well then, mine will just have to call the police. oh? your character has icing stuck to her lip? well, i hope she doesn't mind while mine points and laughs at her or puts on a very public display of affection./winkwink
take notice that i'm in college. that means that at any given moment there are probably a hundred other things i'm supposed to be doing. so if i can't respond right away, don't worry. i saw it and i have not forgotten you, i swear! please, please please, please do not throw random korean in there! it's annoying and i don't need you to prove to me that you know the (in)correct romanization of hello in korean when you can just say hello! if we're trying to plot and the only thing you can come up with is "i don't care, your choice."i will stop caring and stop answering you. lastly, i didn't mean for it to be this long, if you have a soul try not to be a one-liner.
every plot you see, unless otherwise stated, is open to any character choices, any uality, and/or . just let me know what you do or do not want. also the age references refer to how old i want the characters to be not the player. you can decide whether you would prefer to be A or B.
WILLING TO ROLEPLAY AS;
*lee jongsuk *lu han
kim woobin *zhang yixing ( lay )
*nam woohyun kim myungsoo
lee howon ( hoya ) jang dongwoo
kim jongin ( kai ) choi junhong ( zelo )
lee sungjong lee jonghyun
jung ilhoon huang zitao ( tao )
gwak dongyeon horvejkul nichkhun
lee byunghun ( l.joe ) choi siwon
oc any male tbh if you ask me to
MAYBE IF YOU CAN CONVINCE ME;
f(x) park sora
jin meixin zhang xinyuan
❝plots;
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PLOT ONE. "BIRDS OF A FEATHER..." ANY AGE
As much as A complains about their childhood, how they were rasied and the people their family surrounded themselves with, truth is A made some pretty great memories as a kid. It was mostly thanks to B, A's partner in crime. They stuck together like glue and A would go to war for B anywhere, any time. These kids made the best of their situation and snagged some really great friends on the way.
Het, or Platonic
PLOT TWO. "GOOD RIDDANCE" 18+
Not necesarily the first, but it was definitely longest lasting relationship A ever had. A and B went through a lot of "firsts" together and when it came to a screeching halt the two of them dealt with it in different ways. A through himself into relationship after superficial, shallow relationship, keeping a closed heart but an open bedroom door. While B...actually, A's not quite sure how B handled it. A can't recall them being on speaking terms much after that.
Het, or Platonic
(*further plotting needed. are they on good terms now? why did they break up? how did B handle it? moving on to someone else. claiming celibacy, etc?)
PLOT THREE. "NATION'S FIRST LOVE" A is any age. B is 3+ years older
There isn't a person alive who doesn't remember their first love. A was just barely a teenager when (s)he first laid eyes on B. B was a bit older than A but A didn't mind much. A followed B around shamelessly like a lovesick puppy and never failed to embarass themself trying to impress B. Though A was never sure B even noticed him, A certainly never forgot them.
Het, or Platonic
( *he knows her but she may or may not know him. further plotting needed. )
PLOT FOUR. "50 SHADES OF RED" ANY AGE
They say people are oblivious when it comes to receiving a certain kind of attention. A was no exception but they'd have to be outright blind not to notice the way B grew flustered when A was around. A knows how it feels to be on the other side of the fence, to not be seen by the object of your affection, so maybe A pays B extra special attention. A is the first to offer to hang out, the first to stand up for them, the first to offer advice or a shoulder to cry on when they need it. Sure, A may tease B a bit and maybe be a little misleading but it's harmless, isn't it?
Het, or Platonic
PLOT FIVE. "SEE YOU IN HELL" ANY AGE.
A is known for being person of many words and relationships, and it's quite easy for their open way of thinking to come off as over bearing and to get off on the wrong foot but there is no human being alive that can make A's blood boil like B can. A should be flattered that someone takes this much time and energy of their day to devote to harassing them but somehow can't get past the desire to strangle B with a flaming jump rope.
Het, or Platonic
( *further plotting needed. have they already met or is this a first meeting? why do they hate each other? will they eventually end up as friends or not? etc. )
PLOT SIX. "A HELPING HAND" Any age
Yes, A is a grown adult. Yes, they happen to be charged with the life and well being of themself, their education and career. But sometimes, A's a big child who could use a little taking care of A. B, for whatever reason, seems to be the only one who cares enough to make sure A is resting when sick instead of running wild to enjoy a day off, to make sure A is minding his temper and biting their tongue when appropriate. So far, it's a full time job but B's efforts don't exactly go unnoticed by A who seems to more than anjoy the company and the babying.
Het, or Platonic.
PLOT SEVEN. "TRADING SPACES" 18+.
If A had any words for B, it'd be, "Don't touch my stuff and stay in your own space." It just so happens, that we're talking about roommates. A isn't exactly a people person so it should be no surprise how hard it is to keep a roommate. But A can't afford this place on their own and it just so happens that B is the only person with both the finances and the desperation to get away from home that they'd put up with anyone if they could get a place to stay out of it.
PLOT EIGHT. "THE KIDS ARE ALL RIGHT" A is 18+. B is 17 and below.
A considers themself at the prime of their youth and likes to live like it, but everytime this goofball (B) comes this way A feels like they've aged ten years. Keeping B out of trouble, giving them a place to stay and life advice when they need it ( even when they think they don't ), they'd give them the shirt off of his back if they asked for it. And that's just the way A likes it. A acts like it annoys him to be the one B runs to but he wouldn't have it any other way.
Het, or Platonic
PLOT NINE "LOST ( IN TRANSLATION ) WITHOUT YOU " 18+
With their limited knowledge of the language, coming to South Korea alone to continue their studies was probably not A's best idea. For weeks A struggled with just getting the basic needs satisfied. Nearly always late for classes because they couldn't understand the public transportation system. Couldn't find work for lack of fluency. Eating out was practically impossible. Until A met B. A lucky break for A that B took pity on the poor kid because from then on A had his own personal Korean tutor and translator. B only asked one thing in exchange...
Het, or Platonic. Preferably chinese idols/ulzzangs.
(*further plotting needed. How do they meet? What does B ask for in return?)
PLOT TEN "TIL DEATH DO US PART" 18+
In higher class societites where everyone follows the status quo and presents picture perfect personas, it's not unheard of for parents to lay out their child's future for them. Schools, friends, careers, spouses. Nothing is off limits. And, as badly as he wished it weren't the case, his parents believed in that tradition whole heartedly. He'd known of his fiancee since the day the arrangement had been made but he's been on the fence since day one. He wasn't even sure if he should be grateful to his parents or throw a tantrum until she was gone.
A as the Male, B as the female. Het only. Could be comedic, romantic, angsty or any combination of the three.
( *further plotting needed. have they met? do they get along? does one of them have feelings for the other? does she want to go through with it and is hurt by his undecided status or does she hate the idea just as much as he does? have they been "faithful" to each other so far or have they agreed to ual freedom until it's official? etc. )
PLOT ELEVEN "WHERE WOULD I BE WITHOUT YOU" 18+
A has been sheltered and babied all their life, their parents going as far as homeschooling. It's more out of convenience than anything, as the family is almost always on the move. But now that A is entering college they are finding themself vastly unprepared for the world and sinking fast before they've even gotten a chance to swim until B enters the scene. Taking pity on the naive and spoiled A, B declares themself as a guide from A's life of butlers and shiny things to a life of independence. It doesn't hurt having a rich friend who depends on you to lead the way.
Het, or Platonic. Could be romantic, comedic, angsty or any combination of the three.
PLOT TWELVE "MY MUSE" ANY AGE.
The creative process of an artist is a complicated one. Sometimes it comes effortlessly, other times A must be on the verge of throwing themself down a flight of stairs before inspiration hits. But somehow B always seems to pull the best brush out of A. Whether it's something B said, wore, did or just their presence A is the most relaxed and productive when B is around. First meeting or established relationship available.
Het, or Platonic.
PLOT THIRTEEN "THE QUEER CLUB" 18+
In the year 2014, the world is a lot more open to the queer, the trans* and the non binary. But not open enough. It's no wonder A had such a hard time confessing to being a trans*person (gay, aual, panual, polyamorous, or any sect of queer identifying people that you'd like ), even to the person they loved and trusted the most, B. It doesn't help that B treats A like a sibling and has zero respect for personal space.When B's playfulness, teasing and wandering hands leads to the discovery that A isn't all that they say they are the two have to reevaluate their friendship, set some boundaries, and maybe experiment a little just to cure the curiosity.
Het, or Platonic.
PLOT FOURTEEN "THE LIGHTS ON RADON CANYON" any age.
Body switching plot
Crack(ish),comedy, romantic comedy(?). Het, , or Platonic.
PLOT FIFTEEN "OL' McDONNEL HAD A FARM" 18+
city boy/girl vs. farm boy/girl
PLOT SIXTEEN "I'LL FOLLOW YOU UNTIL YOU LOVE ME" 18+
papparazzi/celebrity/. papparazzi pretends to date celebrity for big story
Het, or Platonic.
PLOT SEVENTEEN "VINTAGE IS IN"
Trinkets, letters, and every other piece of so-called "junk" one can imagine all cramped together in one unassuming little shop. A's aunt/uncle/grandparent has been running this quaint antique shop since before A was born. While more of their income comes from field trips and eccentric collectors than casual shoppers, the shop remains a staple of the community and A is more than happy to help out this summer. It's been awhile since A set foot in the shop but A certainly doesn't remember a juvenile delinquent/minor criminal ( depending on the age ) on the employee roster. B just wants to finish their community service with the least amount of effort possible and it was going well until goody two shoes A popped up with their "every item carries a little bit of history in it" philosphies.
Het, or Platonic.
PLOT EIGHTTEEN "THE VOICES IN MY HEAD"
A has been diagnosed with schizophrenia since they were young. The same playful smile and silky voice from A's dreams haunts A during the waking hours with disappointed reprimanding and coaxing towards seemingly nonsensical notions and ideas to comforting in the lowest of times. While A's loved ones would rather A stay heavily medicated and withing arm's reach, A would rather follow the voice straight to be. ( A can be actually schizophrenic and is drawn to B by the resemblance from A's dreams or B can actually have the ability to contact and guide A through A's "disorder". Inspired by Game of Thrones, Bran and Jojen, and a tumblr post: "what if the voices in our heads were our soulmates'?" -unknown )
Het, or Platonic.
PLOT NINETEEN "THE BUCKET LIST"
After A scarcely survives a near death experience ( illness or accident ), they decide to procede with a new taste for adventure in life. Everything from trying new foods to skydiving is on their to-do list. A's limitations and boundaries have seemingly disappeared. B on the other hand, A's best friend for years, is the voice of reason. B talks A out of some of the crazier schemes and when B can't seem to dull the enthusiasm in A's eyes, B tags along to keep their friend alive.
Het, or Platonic.
PLOT TWENTY "THE SADDEST WORD" 18+
Angst, attempted suicide and depression warning. Inspired by a tumblr post of a similar story.
A and B were united by hardships and an understanding of each other that very few people not in similar situations can achieve. They were practically joined at the hip until A got a summer internship somewhere very far out of B's reach. B begged A to stay, swearing that it would be impossible to do this alone even for a month or two. In return, A swore that B was being melodramtic. That B would be fine for the next six to eight weeks. A came home to find that by week three, B attempted suicide. The last line of B's letter read: "No one even cared enough to stay." Now A has to pick up the pieces of a broken trust and hold the two of them together until they can both stand on their own.
Het, or Platonic.
PLOT TWENTY ONE "I'M NOT DISABLED" 18+
A is disabled and it's been that way foryears. Occasionally A gets angry about their situation, as does anyone, but overall A adjusts, copes and lives as averagely as possible. Until B worms their way in and, what starts off as genuine interest and curiosity, suddenly throws A's entire dynamic off in the best of ways as both of them are faced with new situations that they're not exactly equipped to handle. Blind would be the first choice but any "disability" is acceptable. ( INSPIRATION I suggest watching the video first. It's a short film but it's the best 17 minutes of your life to date. )
Het, or Platonic.
PLOT TWENTY TWO "THIS ISN'T A SHOW" 18+
A is all but lost to the rest of the world and much too deep in their fandoms. Books, televison shows, that god forsaken blog, it's the equivalent to a Christmas miracle to see A away from a laptop screen and just about everyone gives A hell for it, except for B. B considers A's quirks to be their best feature and even tries to show genuine interest in the infinite number of fandoms that A belongs to, at least the ones B can remember. But when A can't even be bothered to make time for B, B announces the road trip to end all road trips to remind A that being connected with people all over the world is nice but not to miss those sitting right next to you.
Het, or Platonic.
( more to come, eventually. )
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✉(A/N).
YOUR CHOICE. TAKE NOTE OF WHICH ONES INVOLVE A FIRST MEETING AND WHICH DO NOT.
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